Creating the Leprechaun

It doesn’t get more hands-on than this: Makeup Design for Film & Television students not only learn by doing but also have the advantage of seeing firsthand what their instructors have spent years perfecting in the industry.

Recently, instructor Felix Fox – herself an Emmy-nominated makeup artist – gave a class of students a demonstration of her technique, transforming model and current VFS Makeup student Tegan Colby into a menacing leprechaun character. The entire process from sculpting to application took 10 hours.

“[Tegan's] fascination with the Leprechaun horror film series provided me with inspiration for the character creation,” Felix says. “She has such a great energy and willingness to participate in the makeup effects process. She was the obvious choice of models.”

Tegan was game, but the choice of model presented a challenge for Felix. “I sculpted the prosthetic on a stock face cast – of a VFS Makeup alumni – and not on Tegan’s life cast. This made for a more challenging situation, as the face structure of the face cast I ended up using was not very similar to Tegan’s face structure. Years of sculpting prosthetic appliances for films and TV series made it possible for me to know how much and where the clay needed to be on the cast, to allow for proper motion and mobility of the final prosthetic when applied to the Tegan’s face.”

The process, as Felix describes it: “The prosthetic is first sculpted in an oil-based clay and then molded with a plaster called Ultra-cal 30. Once the mold is completed and the clay cleaned out, foam latex components are whipped on various speeds in a kitchen mixer then poured into the mold and finally baked in the mold for about three and a half hours. The end result is a soft, fine-celled foam prosthetic that can be glued to the face.”

“The look is completed by painting the prosthetic and surrounding skin, painting the model’s teeth with various shades of tooth enamel, to create a ‘rotten’ effect, and then a wig and wardrobe are worn.”

Ultimately, it was a chance for Felix to impart her knowledge – gained on such productions as The Butterfly Effect, Scary Movie 3 and 4, Elektra, and many others – to students who are preparing to begin their own careers. “I hope that the students got a true sense of how much work goes into creating a ‘completed’ character in a tight timeline, and also how satisfying it can be when the finished look is pulled off!” she says. “I have had a lot of fun over the past year with this class and wanted to give them a special demo to send them off – to graduation and the ‘real’ world.”

“I also hope they get a sense of how to work really hard on creating a character all the while having a great time. I sure do!”

Enjoy this photo gallery with highlights of the entire process and the jaw-dropping finished result:

And here’s a video montage of the process:

LA Times: VFS in Top 10 for Games

The Los Angeles Times has named the Vancouver Film School Game Design program one of the top 10 game schools “favored by video game industry recruiters.”

The field includes over 200 schools. Pretty good for a one-year program that only graduated its first students in October 2005.

You can see the complete LA Times list here.

Reminder: Writing Open House

Want to see what our one-year Writing for Film & Television program is all about? Well, don’t forget: our Writing Open House is this week.

Come by to see student work, talk to students, faculty, and working grads, and meet Head of Department and TV veteran Michael Baser, who’s written for shows like Three’s Company and Full House.

There’s no better way to see inside this intensive program where students pitch, outline, and write everything from feature and short film scripts to episodic TV to sketch comedy to documentaries.

Writing for Film & Television
Open House

Wednesday, October 22nd, 6pm
VFS Café
390 W. Hastings
(corner of Homer & Hastings)

Book your seat: openhouse@vfs.com or call 604.631.3591

Makeup Design Program Stars on TV

Our Makeup Design for Film & Television program has been featured throughout an episode of Shaw TV’s The Express. It makes for a great overview of the program and a good way to get a glimpse of what current students are working on. Plus, cameos by Stan Edmonds and grad Mike Nickiforek! Check it out:

Softimage|XSI and ICE Training Weekend

It was announced at last night’s Vancouver launch of Softimage|XSI 7 at VFS: in partnership with Softimage, VFS is thrilled to present Softimage|XSI and ICE: An In-Depth Training Weekend on November 22-23, 2008.

This is an exclusive weekend-long intensive course aimed at helping 3D artists transition from Maya or 3DS Max to Softimage|XSI as well as giving participants a head start on using the new, powerful Interactive Creative Environment (ICE).

The training weekend will be led by Craig Slagel, an expert 3D trainer whose background includes seven years as Electronic Arts’ Senior Worldwide Graphics Trainer. He has also worked as a technical artist on several of EA’s top game titles.

November 22-23, 2008
Vancouver Film School
9am – 6pm Saturday & Sunday

Head over to vfs.com/softimage for all the details and to book your seat. Seats are extremely limited, so don’t delay!

3D Total Interview: Herbert Lowis

3D Total’s just posted an interview with 3D Animation & Visual Effects grad Herbert Lowis. Since graduating, he’s had stints at BioWare and now back in Vancouver at Propaganda Games. He talks about his journey, shows off some of his work – including a killer Psycho Mantis model – and says some really nice things about VFS. (Thanks, Herbert!) Check it out right here.

Animation Show of Shows

To help celebrate World Animation Day this month, VFS once again has the pleasure of hosting Ron Diamond‘s Animation Show of Shows on October 23.

Last year’s show included such internationally renowned animated shorts as Madame Tutli-Putli, I Met the Walrus, and John and Karen. This year, the lineup includes Skhizein, KJFG #5, Glago’s Guest, Kudan, Franz Kafka’s A Country Doctor, La Maison en Petits Cubes, Hot Seat, Presto, A Mouse’s Tale, and Keith Reynolds Can’t Make It Tonight. It’ll be darn near impossible to see some of these films in a theatre, so animation fans won’t want to miss it.

Also, some work by VFS Classical Animation grads will be showing at 9pm on October 24 over at Emily Carr: Ben Meinhardt’s MTV-commissioned Perfectland and Todd Ramsay’s madcap Honkbarn.

Details on the VFS event:

Animation Show of Shows
Thursday, October 23
8:30pm -11pm
VFS Main Theatre, 420 Homer Street, Vancouver

Wanna come? RSVP to Jody Kramer at j.kramer@nfb.ca. Priority goes to Animation students, but anyone’s welcome to this free event!

An Anniversary in Grover’s Mill

October 31 marks the 70th anniversary of the famous Orson Welles radio broadcast of H.G. Wells’ War of the Worlds – a broadcast that touched off very real panic in some listeners, brought Welles’ name into the public consciousness, and still stands as one of the best examples of the sheer power of media.

To help mark the anniversary, Grover’s Mill, the short film written and directed by Paul St. Amand in the Film Production program, will be screening near real-life Grover’s Mill, New Jersey – the Martian landing site in the original broadcast. The Grover’s Mill Coffee Company has the film slated to screen on October 18 in Plainsboro, NJ, as part of the 70th celebrations.

Franc Gambatese, owner of Grover’s Mill Coffee Company, tells us, “Paul St. Amand’s short film is a cleverly whimsical piece that finally connects the two larger than life geniuses, Wells the visionary writer and Welles the broadcasting legend, in a manner never considered before.”

“Throw in some Shakespere and some Martian intruders and it becomes an instant smash hit, especially to the residents of Grover’s Mill, Central New Jersey and anyone interested in the broadcast event of 1938 that changed a nation and broadcasting history.”

For Paul’s part, he’s excited to have his film seen in its namesake: “I don’t think I realized until I started writing Grover’s Mill that the town in New Jersey really exists. It sounds too perfect, so I assumed it was invented for the radio play. During production, I remember thinking, ‘I wonder what the people in Grover’s Mill would think of this?’

“It’s really exciting to know our film will be showing where it all – fictionally – started,” he says. “I hope the folks who live there, and other fans of the radio broadcast, get a kick out of the story.”

Though the film was completed a couple of years ago now, Paul’s no less proud about what his crew managed back in 2006: “We were the first crew to shoot a miniature [at VFS], and the first Film Production show to work with digital animation students on a VFX shot. For me and my crew, that meant a ton of extra work. I’m proud of the way we all pulled together to accomplish something different.”

So if you’re in the area, check Grover’s Mill out at the Grover’s Mill Coffee Company:

War of the Worlds 70th Anniversary – Movie Night
Grover’s Mill Coffee Company
Plainsboro, NJ
October 18th, 7:00pm

And for our part, we’ll celebrate the great radio broadcast with a little Grover’s Mill retrospective with this gallery of behind-the-scenes shots featuring the work of Paul, Art Director Scott Williams, and crew:

Edit: Paul also writes to inform us that Grover’s Mill was recently selected for the National Screen Institute’s Online Short Film Festival!

Sarah in the Dark

Well, it happened: we missed one. When we blogged the Vancouver International Film Festival in September, we neglected to mention one other VFS connection: Film Production grad Dan McLean was a producer on Sarah in the Dark, a short written and directed by Jennifer Halley, best-known as playing Diana “Hardball” Seelix on Battlestar Galactica.

Its screening at VIFF has already passed, but Sarah in the Dark will also be showing on October 25 at the Baltimore Women’s Film Festival. If you’re in the area, check it out!

Perfect The Way We Are

The little ditty above is the creation of a passionate group of VFS graduates, instructors, and their compatriots.

We all know Americans go to the polls in November, but there’s also a hotly contested Canadian federal election on October 14. The Perfect The Way We Are team, hailing from the Foundation Visual Art & Design, Digital Design, Entertainment Business Management, Sound Design, and 3D programs, wanted to deliver one, simple, and decidedly non-partisan – but no less pointed – message to Canadians: Get out there and vote.

Sarah Vilay, EBM grad and the team’s business manager, explains: “Canada is our home and our culture. This project is a conversation about just that. When opportunity and freedom coincide, stuff gets done. That is what excites me.”

Sarah, producer and Foundation grad Todd Smith, and others were able to draw on a vast network of VFS talent to get the video and website together in record time. After all, the election was only called a few short weeks ago.

“VFS provided a dynamic network of people and ideas,” Sarah explains. “Programs like EBM, Sound Design and Film Production equipped us all to break down walls and collaborate.”

Grads involved also include Foundation’s Stephanie Co and Morgan Jeske, Digital Design grads Wilson Tsang (also a Foundation grad) and Collin Waldron, 3D grad Alexia Tryfon, DD instructor Brett Forsyth, and Sound Design grad/VFS instructor Alan Wong-Moon. Full credits here.

Visit PerfectTheWayWeAre.ca to download the video, tons of links to get you caught up on the issue, and a chance to sound off. And if you need to, check out Elections Canada for the lowdown on going to the polls.

Update: Picked up by Motionographer!