Plaid Men Web Series Unveiled

While VFS is a place focused on helping students spend most of their waking hours on amazing projects, staff and faculty also find unique ways to work together creatively.

Dionne Gordon and Jennifer Siddle, the Program Managers for Writing for Film & Television and Entertainment Business Management, respectively, are amongst the many Mad Men fans who can’t wait for season five to finally arrive. They decided to take the critically-acclaimed series into their own… hands.

With the help of many VFSers, they launched Plaid Men this past weekend – a web series that puts hand puppets inside the feisty Manhattan ad agency and picks up where season four left off. You can catch a new episode every Sunday night at PlaidMenWebSeries.com. In March there will be two episodes per week on Sundays and Thursdays in the lead up to Mad Men‘s season premiere on the 25th.

Plaid Men features the talents of Writing grads Bob Woolsey, Derek Thompson, Steve Toms, and Wade Fennig; Film Production grad Ryan Jackson; Writing/Film instructor Rudy Thauberger; Acting for Film & Television grads Naomi Dayneswood, Shannon Lang, Lauren Martin, and Aaron McCallum; and Head of Acting Bill Marchant.

Oh, and that title sequence? It’s created by Ian Berg, a grad of both Foundation Visual Art & Design and Digital Design.

Check out the first episode and ‘like’ the series on Facebook.

 

Republic of Doyle Stars Visit VFS Acting Students

Acting for Film & Television and Acting Essentials students and faculty were treated to a special guest visit this morning from two of the stars of CBC’s The Republic of Doyle.

Allan Hawco and Lynda Boyd chatted with Head of Department Bill Marchant about the industry, how they each got started, and – of course – the third season of Doyle, which premiered last week with the help of a little-known star by the name of Russell Crowe.

“He was a real gent,” Hawco said of Crowe, noting the arduous mega-flight the actor had to make from Australia to Newfoundland for a few days of filming.

Check out photos of the visit on the VFS Flickr profile.

Both Hawco and Boyd come from theatre backgrounds and adapted their skill sets to the screen. For Hawco, it’s been a fight the whole way:  “I was 24, 25, and I was doing a play somewhere and everyone was asleep,” he said. “I wanted to fight for things I could create myself.” He saw 45 coming closer and didn’t want to be complaining about the same things he disliked at 25. Now, he’s the showrunner of one of CBC’s most successful series. Along with a just-get-it-done attitude, it means wearing a lot of different hats aside from acting — like producing, editing, and writing. In fact, all the major decisions for the series come from him.

Boyd, meanwhile, hit her stride in the mid-’90s with appearances on series like The X-Files and Highlander. It was big transition for a theatre pro who’d been dancing since she was a child: “I didn’t have a clue what I was doing,” she said. “I didn’t know what a ‘mark’ was.”

When she auditioned in Newfoundland for Doyle, she took a mental picture of everything around her at the time and told herself “I’m coming back here”. Clearly, that positive mindset has paid off.

It’s something Hawco has taken to heart as well: “I spent most of my career unemployed… I don’t care about anything else right now… I’m making a TV show in Newfoundland.”

Many thanks to our guests and congratulations on a successful season three premiere!

Check out series air times on CBC’s website.

Arctic Air Premieres Tonight & Features VFS Grads

CBC’s new one-hour adventure drama premieres tonight!

Arctic Air will feature the work of Acting for Film & Television grads Adam DiMarco (“Kirby Nystoruk”) and Emilie Ullerup (“Astrid Poulsen”), as well as Writing for Film & Television grad Derek Thompson, who’s contributing as a Script Coordinator.

We’ll keep our fingers crossed for a successful premiere (and first season), the chances of which are no doubt buoyed by the leadership of a number of acclaimed Canadian entertainment industry pros — including Adam Beach (Flags of Our Fathers), Ian Weir (Flashpoint), and former VFS Writing instructor Sarah Dodd (The Border).

Best of luck to everyone involved! (Visit cbc.ca for schedule information)

Update (1/17/12): We neglected to mention the series also features Acting grad Tanaya Beatty as “Caitlin Janvier”!

Head of Acting Bill Marchant on Coaching Matthew Lillard

In what’s been described as a “bracingly honest” interview with BlackBook, VFS Advisory Board Member Matthew Lillard spoke about his career and what being cast in Alexander Payne’s The Descendants meant for him:

“Nobody ever comes to me. Nobody in the history of filmmaking has ever gone, ‘You know who we need for this? Matt Lillard.” That’s the truth. It was an audition. I read the audition and I was like, ‘Dude, there’s no way I’m going to be this guy. There’s no way I’m George Clooney’s wife’s lover. That’s not happening.”

And yet it did happen. According to this behind the scenes video shot on set in Hawaii, Lillard said he did the audition quickly with his kids waiting in the car, which actually played a part in him landing the role, according to Payne. Once he was cast in “one of 2011′s best” movies — a role that could potentially blow the doors off of the legacy of successful franchises like Scooby-Doo! and Scream — Lillard turned to his friend and colleague, Head of Acting for Film & Television Bill Marchant, for coaching help leading up to production.

Considering the many hours Lillard has dedicated to weekend workshops with VFS Acting alumni, not to mention his previous guest speaker engagements, working with the passionate veteran actor seemed like a no-brainer for Bill, who was kind enough to share his thoughts on the entire experience:

On Matthew Lillard, the Actor

“Matthew Lillard is very much an actor’s actor. He is classically trained and very professional in his attitude toward the work. Because he spent most of his youth and early adulthood immersed in the slacker oeuvre, he is too often dismissed as being a slight character, a goof, a man-child. Yes, he is all those things but they represent a very small part of his palette. He is very much  a masculine force of tremendous power and charisma with a surprising depth of sensitivity. He is also like mercury, silvered and quick and electric, ultimately impossible to pin down.”

“I think it is Alexander Payne’s great genius to recognize this wild cactus flower, the outrageous beauty of bloom where we expected none. What a remarkable eye to know that behind the archetype that Matthew represents, lies an actor of extraordinary substance.”

The Coaching Process

“Matt was excited about The Descendants, obviously, but he was calm compared to me. I am a huge fan of both Lillard and Payne. I knew that this bit of inspired casting was akin to the masterstroke of using Paul Giamatti as the hero in Sideways. I am sure Matt did have his concerns about flying to Hawaii and doing the gig but he remained fairly casual through out the process. It is never wise to do a project of this scope without working on it with a coach. It was my honour to play that role.”

“[VFS instructor] Matt Fentiman and I flew down to the Lillard home in Pasadena ready to work. But we didn’t get right to it. We talked over the script and major scenes casually during the course of the next few days as Matt [Lillard] took care of his kids and wrangled busy schedules with his wife. I was chomping at the bit to play. Matt Lillard prefers to simmer. Slow.”

“The day before we left for home, we finally got down to it. We started by walking for miles in beautiful suburban Pasadena down tree-lined avenues, just going over the lines, over and over again, letting them seep deep into the tissue of the actor’s body. On breaks we would ramble and debate about the truth of love and relationships and betrayal and getting caught. These are all the major hurdles his character faces in The Descendants.”

“Finally, we took it back to the ‘work’ room of Matthew’s house and got the scene up on its feet. Matt Fentiman took on the Clooney role and we let it fly. Lillard is all animal impulse. He censors nothing as he repeats the scene, honing and tweaking and pushing at the edges of the scene until the ragged but glorious truth emerges. It’s not pretty. It’s not easy. But it is outrageously fun. Within a couple of hours we were done and wisely let it go. I knew Matthew could remain constant in the scene while adapting to all change regardless of the circumstance. His key strengths are energy, permission, and the connective sinew of love that defines the great actor. He brings it every time. That’s who he is.”

Thanks for the insight, Bill! And a big congrats to Matthew Lillard on a wonderful performance!

UPDATE (1/16/12): The Descendants has won the 2012 Golden Globe for Best Motion Picture (Drama).

2011 Retrospective: Looking Back on an Amazing Year

2011 has been a year of incredible accomplishments by VFS students and alumni.

For the first time, we saw a Writing for Film & Television student screenplay produced on a global stage with grad Seth Lochhead’s Hanna. A team of Entertainment Business Management students took their Compendium short down to Screamfest LA and beat out seasoned pros for the Best Short Film award. And Digital Character Animation grad Rafael Cardenas took home his first Ariel Award – Mexico’s answer to the Oscars.

As any regular reader of this blog knows, that’s just the tip of the iceberg for VFS alumni achievements this year. Students and grads from all programs raised the bar even higher for the next wave of artists to come out of VFS, and we’ve pulled all of their stories together at vfs.com/2011.

Browse through the milestones of 2011, month by month. You’ll see a special video feature, VFS Blog and In Focus magazine stories, YouTube highlights, and what the wider VFS community had to say about it all.

Congratulations to everyone on an amazing year – and thanks for letting us tell your inspiring stories!

Talent Agent Tyman Stewart Visits VFS Acting

“You should always have an agent who thinks you can do everything,” VFS Advisory Board Member Tyman Stewart told a packed room of Acting for Film & Television students this week.

As the Senior Vice President of The Characters Talent Agency (West), you could say he’s well-versed in the inner workings of the film industry. He’s one of the reasons Acting grad Adam DiMarco has had such an incredible year, having made the behind-the-scenes connections that resulted in getting Adam seen by dozens of decision-makers.

Seated comfortably for a moderated Q&A, Tyman also reflected on signing Head of Department Bill Marchant: “I remember seeing you… I remember to this day: I am repping you.” Over an hour and a half, he shared a lot of promising stories and hard lessons, as current Acting for Film & Television student John Connolly has been kind enough to recap for us.

Guest Post by John Connolly

The classroom was filled to the brim with students waiting for Bill Marchant and our guest speaker, Tyman Stewart, to arrive. It was an unprecedented event for the Acting for Film & Television program, and our current three classes were the fortunate ones to be present for it. Tyman Stewart is the Senior VP of The Characters Talent Agency, the second largest agency in Canada, which currently represents VFS faculty members Bill Marchant and Jennifer Clement, as well as quite a few VFS alumni. The agency has branches in Los Angeles and Toronto as well as here in Vancouver. Tyman has also produced a few films, including Ginger Snaps Back: The Beginning, and the upcoming A Little Bit Zombie.

Over the course of an hour and a half, students asked about anything they could think of: outside influences on the industry, work in the US, even haircuts. The questions varied from personal to inclusive, and Tyman would respond with stories and examples from his personal experience as well as the general standard among other agencies. He made it very apparent that he wasn’t going to sugarcoat anything for our benefit. It may have made some students uneasy at first, but that soon passed as they realized how his personality visibly reflects his attitude toward his job: professional, yet personable.

The recurring theme throughout the session seemed to be stereotypes, or the fear of being pigeonholed into one specific character. “If your talent surpasses that,” Tyman answered, “then you shouldn’t worry.” Build a reputation as a great actor and possess great skills, then there will be no boundaries. Focus. Make sure you continue your training, learn techniques, and always keep an ear to the ground as to what’s happening in the business. He also made it clear that “you can be as good as you want, but if you’re an ass, no one will want to work with you.” While it may seem obvious, there are indeed actors in the world who may disregard that advice.

From beginning to end, the evening was a constant outbreak of overwhelming information and each of us left with something valuable to bring into our future endeavours.

Thanks, John!

Visit VFS on Flickr to see photos from Tyman’s visit.

Twilight: The Saga Concludes (Part 1)

(Read on to win tickets to an exclusive pre-release screening!)

Even the most epic tales must come to an end, and on Friday The Twilight Saga: Breaking Dawn – Part 1 will bring the tale of vampires versus werewolves versus teen love to its (first half) conclusion. As with the previous films, the crew was peppered with alumni from 3D Animation & Visual Effects and Film Production. Well done!

Carrie Wilson – Second Assistant Camera
Henry (Hung-Chi) Peng – Matchmove TD
Alan Fregtman – Rigger
David Yabu – Lead Animator
Yuta Shimizu – Lighting Lead
Biren Venkatraman – Lighting and Asset TD
Daanish Wain – Compositor
Chun-Ping Chao – Digital Compositor

To celebrate, we’re offering two tickets to an exclusive private screening, courtesy of Cineplex Media, at the Scotiabank Theatre Vancouver on November 17th, 2011 at 7:00pm. To enter, LIKE this post by tomorrow at noon. This contest is now closed.

Update (1/17/12): We neglected to mention Acting for Film & Television grad Tanaya Beatty is also featured in this movie as “Rachel Black”.

VFS Acting Students in Performance!

During the one-year Acting for Film & Television program, students vie for a chance to compete in a monologue competition. It’s a great opportunity to prove your evolving acting chops and apply lessons learned in the first part of the year.

For Mayumi Yoshida — a student who first encountered VFS as a Summer Intensives participant and continued her journey through Acting Essentials to Acting for Film & Television — it was an aligning of the stars. She initially wasn’t listed to compete, but a generous fellow student withdrew so she could enter. At the end of the day, it was Mayumi who came in first place!

Jason Mireau also made a lasting impression on the judging panel of VFS faculty and staff. His at-times manic performance, as you’ll see, is captivating and reflects the hours of preparation that students put into these pieces.

We’ve captured both performances — in single takes — and you can watch them below, or click here to find out more.

Mayumi Yoshida performs an excerpt of “Sixty Years to Life” by Nick Zagone.

Jason Mireau performs an excerpt from “House” by Daniel MacIvor.

Wedding-Themed Horror Features VFS Elite

As director of The Little Mermaidan award-winning short film from Compendium IV: Psycho Princess – Entertainment Business Management instructor Nicholas Humphries is no stranger to working with VFS students and grads.

He’s once again teaming up with Foundation Visual Art & Design grad Ryan Copple (Co-Creator and Writer of Riese), who will serve as Writer-Producer for a new wedding-themed horror feature entitled Death Do Us Part. Acting for Film & Television grad Peter Benson is also a Writer-Producer on this project and will be starring as well.

Some other familiar VFS faces include Makeup Design for Film & Television grad Sarah Elizabeth, EBM grad Sandra Gonzalez, and Film Production grad Greg Brown.

A press release for the film hints at the horror to come: “What started out as a celebration quickly descends into a bloody nightmare. Friendships are ripped apart and accusations fly in this blood-filled psychological horror with a whodunit twist.”

Principal photography begins this month. We’ll bring you more details as they become available. Until then, visit DeathDoUsPart.com for more info!

Break legs, everyone!

VFS Faculty and Grads Go “Gore” at Bloodshots 2011

You might’ve heard of the annual Bloodshots 48-hour Horror Filmmaking Contest. Films created during this twisted filmmaking frenzy can be scary, gross, horrifying, or just downright wrong. And that’s the point. ‘Tis the season, right?

The eighth year of the contest came to a close last night, with VFS faculty and grads taking the lead with some shocking (and surprisingly funny) horror films. You can currently see all the entered films on the competition website — however, we strongly advise viewer discretion. If you’re not a fan of the horror genre, well, let’s just say you might be spending Halloween hiding out in a safe place with a favourite blanket after watching these.

According to VFS Blog sources, we’ve learned that Acting for Film & Television instructor Andrew Moxham picked up the Jury Prize honours for “my guitar gently weeps”, which featured Acting grad Steve Bradley – who also received an award for Best Actor. Makeup Design for Film & Television grads Leah Cuff and Malin Sjostrom-Ewan, meanwhile, won the Best Makeup award for their work in “Full Moon Tonight” and the VFS Acting program-heavy “All Saints Day” won Best Score

Congrats, all!

Here’s the list of all teams featuring VFS faculty and grads – if you’re not on this list, let us know and we’ll add you!

“Just One More”
Team Awesome
Film Production grads Katelynn Mann (Producer), Jan Floor (Art Direction), and Carson Haight (1st AD), along with Makeup Design grad April Beer (Makeup Artist).

“my guitar gently weeps”
The Studes
Acting grads Andrew Moxham (Director/Editor/Story), Steve Bradley (Story), and Andrew Dunbar (“Driver”/Camera Op), along with Makeup Design grad Jennifer Kaminski (Makeup Artist).

“Full Moon Tonight”
Borrowtime
Acting grads Lauren Martin (“Chloe”) and Tom Belding (“Jeremy”), Film Production grads Darren Borrowman (Director), Joshua Mark Guitar (Editor), Darshan Rickhi (Grip), and Sean Avery (Grip), Entertainment Business Management grad Sebastien Dryland (Assoc. Producer), Writing for Film & Television grads Bob Woolsey and Andrew Menzies (Writers), and Keith Opatovsky (Producer), Makeup Design grads Leah Cuff and Malin Sjostrom-Ewan, and Digital Design grad Ian Berg (Motion Design).

“All Saints Day”
After Shock
Acting grads Matt Fentiman (Director/Writer – also a VFS Acting instructor), Scott Alonzo (Writer/Producer), with VFS instructor Suzanne Hepburn and Head of Acting Bill Marchant appearing on screen as well. Digital Design grads Drew Hutchinson (Editor) and Matthew Lawless (DOP), and Makeup Design grad Jennifer Kaminski (Makeup Artist) also contributed.

“Cerebral Static”
Team Lost Boys
Sound Design for Visual Media students Luis Orlando Ruiz (Boom Op, Sound Editor/Mixer), Bryce Raffle (Music/Boom Op/Sound Editor), and Juan Carlos Aguirre (Boom Op/Sound Editor).

“Satan’s Sideshow”
Hora Morior
Makeup Design grad Shimona Henry (Producer/Makeup).

“Nailed”
Bloodclot
Film Production grad Hope LaVelle (Producer/1st AD).